似是而非的我们

　　入围塔林电影节影评人之选竞赛有个西部故事的牛仔，他总能在决斗中胜出，不是因为他的枪法快，而是因为他总能在编剧的安排下先发制人。　　Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)